It’s time for the 27th edition of the Inside Out Toronto LGBT Film Festival and I’m back reviewing a selection of the films screening during this year’s event. This is always a highlight for me among the many film festivals that Toronto hosts throughout the year. It always promises to showcase some of the best offerings in LGBT cinema.
Tag: film festivals
The Western has enjoyed enduring popularity for decades. Its heyday was probably the 1960s but that hasn’t stopped many directors from continuing to try their hand at the genre. Ti West is the latest director to give it a go, departing from his usual suspense and horror fare that he’s known for. His new film In the Valley of Violence is a classic revenge story starring Ethan Hawke in his second Western of the year. It’s the kind of story that has been done many times so it’s bound to be difficult to find a fresh angle that breathes new life into it. Unfortunately for West, he is unable to find that spark that gives us something fresh and exciting, instead producing something that feels like it has been done before and better.
One of the best vampire films of the past decade was an indie film called Stake Land. It tied together a gritty, desperate post-apocalyptic world with a solid road trip story of survival and frightening vampires that carried zombie-like tendencies. The film was a great alternative to the more popular Hollywood vampire films such as the Twilight franchise. So when it was announced unexpectedly that a sequel to the hit film had been finished without anyone outside the production team even knowing it was happening, anticipation immediately skyrocketed. Dan Berk and Robert Olsen return us to this world in the follow-up titled The Stakelander. However, while they have put forth a noble effort, this one fails to live up to the incredibly strong original.
Zombie films have been a staple of the horror genre for decades. They have an enduring popularity that is prevalent across the world. As a reflection of this, we have what is perhaps the best zombie film of the year coming from South Korea. Sang-ho Yeon’s Train to Busan is an exciting take on the genre that places the story in an interesting setting. While it does use many of the rules we’ve seen plenty of times before, the film presents them in a way we haven’t seen before.